Boutet, Claude.
The art of painting in miniature: teaching the speedy and perfect acquisition of that art without a master. Done from the original French, [sic].
London : printed for G. Smith, and sold by John Brotherton; Thomas Bowles; and John Marebeck, 1729.
ESTC No. N29989.Grub Street ID 18978.
Boutet, Claude.
The art of painting in miniature: teaching the speedy and perfect acquisition of that art without a master. ... The second edition. To which are added certain secrets of one of the greatest Italian painters ... Done from the original French.
London : printed for G. Smith, and sold by John Brotherton; T. Bowles, Jn. Bowles, & T. Glass, 1730.
ESTC No. N16273.Grub Street ID 5951.
Boutet, Claude.
The art of painting in miniature: teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural, as to render this charming Accomplishment universally attainable. First written for the Use of some young Persons of Quality, who, having succeeded at once, by the Help of these Papers only, prevail'd upon the Author to oblige the World with them. The second edition. To which are now added certain secrets of one of the greatest Italian painters for making the finest Colours, Burnish'd Gold, Shell-Gold, &c. Done from the original French.
London : printed for John James, at Horace's Head, under the Royal-Exchange, [1739].
ESTC No. N29988.Grub Street ID 18977.
Boutet, Claude.
The art of painting in miniature: Teaching the speedy and perfect acquisition of that art without a master. By rules so easy, and in a method so natural, as to render this charming accomplishment universally attainable. Containing, I. The difference between painting in miniature, and other kinds of painting. II. The management of colours in draperies, linnen lace, furrs, &c. III. The method of mixing colours for carnations in painting of men, women, or children. IV. The proper colours for painting of architecture, or any building of stone or wood, for landskips, terrasses, water, ruins, rocks, &c. V. The art of painting all sort of flowers, with the proper colours required to represent nature to the highest perfection. VI. The various methods of painting in miniature. The third edition. To which are now added, choice secrets of one of the greatest Italian Painters, for making the finest colours, burnish'd gold, shell-gold, &c. Done from the original French.
London : Printed for James Hodges, at the Looking-Glass on London Bridge; and John James, at Horace's Head, under the Royal Exchange, 1739.
ESTC No. T224742.Grub Street ID 246868.
Boutet, Claude.
The art of painting in miniature: teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French The fourth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit.
London : printed for J. Hodges, at the Looking-Glass on London-Bridge, J. James at Horace's Head, under the Royal-Exchange, and T. Cooper, at the Globe in Pater-Noster Row, MDCCXXXIX. [1739].
ESTC No. T116985.Grub Street ID 168610.
Boutet, Claude.
The art of painting in miniature: teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing, I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furts, &c. III. The Method of mixing Colours for Carnations; for painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The fifth edition. To which are now added, I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit.
London : printed for J. Hodges, at the Looking-Glass, facing St. Magnus-Church, London-Bridge, and M. Cooper, at the Globe, Pater-Noster-Row, 1750.
ESTC No. N16272.Grub Street ID 5950.
Boutet, Claude.
The art of painting in miniature: teaching the speedy and perfect acquisition of that art without a master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furs, &c. III. The Method of mixing Colours for Carnations; for Painting of Architecture, or any Building of Stone or Wood; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the original French. The sixth edition. To which are now added I. Certain secrets of one of the greatest Italian painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general Instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of.
London : printed for J. Hodges, at the Looking-Glass, facing St. Magnus-Church, London-Bridge, and M. Cooper, at the Globe, Pater-Noster-Row, 1752.
ESTC No. T101315.Grub Street ID 155191.